About Midas PRO3-CC-IP Digital Mixer
PRO SERIES PRO3-CC-IP
The MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven PRO3 featuring 56 simultaneous input channels and 27 time-aligned and phase-coherent mix buses, shares the familiarity of a common user interface and workflow with PRO6 and PRO9. Like all PRO Series consoles, the PRO3 features managed latency and 40 bit floating point processing precision. PRO3 sets the standard of performance in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability.
HyperMAC and AES50 audio networking technologies allow the PRO3 to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO3 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.
Integrated Effects Processors and Graphic Equalizers
The PRO3 can simultaneously process up to 6 internal multi-channel effects and DL371PRO3’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1/3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.
PRO3 provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely.
All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.